This article is a first approach to Aproximacion del Principio de Incertidumbre a un proyecto poetico (2010) by Juan Luis Mart nez from Orientalist reading that E. Lihn and P. Lastra began. From this perspective, I proposed that this work is a recreation of elements of writing and poetry of Chinese tradition, and of certain fundamental concepts of Chinese knowledge, resulting in a radical and open poetic work. This procedure, in addition to create a poetic work, adds an oracular dimension to the work, because this gives to read the question about the current state and the changes that await the poetic art; interpellation thrown to the reader, for that he or she to consult and interpret the problem in the same work.