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| DOI | 10.1007/S11457-017-9186-7 | ||||
| Año | 2017 | ||||
| Tipo | artículo de investigación |
Citas Totales
Autores Afiliación Chile
Instituciones Chile
% Participación
Internacional
Autores
Afiliación Extranjera
Instituciones
Extranjeras
This article is a contribution to the study of the indigenous navigation and its boats in the region of northern Patagonia. This article also aims to contribute to the understanding of indigenous navigation practices and technologies and their origins from prehistoric times to the mid-twentieth century. It presents and discusses the concept of Westerdahl's Maritime Cultural Landscape in relation to other landscape concepts. This model is applied to northern Patagonia in order to discuss if it is possible to speak of a true maritime culture in the region. For this purpose, archaeological, historical and ethnographic data are presented in an integrative and innovative methodology for the discipline. Finally, the Maritime Cultural Landscape model will allow the integration of aquatic and terrestrial landscapes as routes traveled by native inhabitants of northern Patagonia and southern Chile, and propose an important and diversified maritime, river and lake tradition.
| Ord. | Autor | Género | Institución - País |
|---|---|---|---|
| 1 | Lira, Nicolás | Hombre |
Universidad de Chile - Chile
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| Fuente |
|---|
| Pontificia Universidad Católica de Valparaíso |
| Institute des Ameriques of Paris |
| Museum of Quai Branly in Paris |
| UMR Acheologie des Ameriques (ARCHAM) from the Universite of Paris 1 Pantheon-Sorbonne |
| Chilean Council of Science and Technology (CONICYT) |
| Agradecimiento |
|---|
| This research is part of the author's Ph.D. dissertation which was funded by a scholarship from the Chilean Council of Science and Technology (CONICYT), and the Museum of Quai Branly in Paris. Fieldwork was partly funded by the Institute des Ameriques of Paris and the UMR 8096 Acheologie des Ameriques (ARCHAM) from the Universite of Paris 1 Pantheon-Sorbonne. Post-doctoral funding by the Pontificia Universidad Catolica de Valparaiso made possible the final writing of this paper. Many thanks to all the people that help during these years, in Chile and France, especially my thesis director Dominique Legoupil, Paz Nunez-Regueiro from the Museum of Quai Branly, the editors of this volume, Arturo Rey and Jorge Herrera, and the reviewers of this paper for their valuable comments. |