Los sinsabores del verdadero policia (2011), Chicas Muertas (2014), and Racimo (2014),show the ravages of globalization in border towns or provinces of Mexico, Argentina, and Chile. Roberto Bolan, Selva Almada, and Diego Zuniga reflect the effects of industrialization in areas damaged by economic exploitation and violence, creating thus regions traversed by horror. Indeed, this honor is symbolized the bodies of mutilated women that appear from the northern border of Mexico to the center of Argentine territory. To show this, a comparative analysis based on various theoretical resources allow to establish that these books constitute a geography of horror.