Concepts related to spatiality have been used within ethnomusicology in polysemic manners, which have facilitated complex ways to understand how the social subject experiences the practice of music. In this text, we propose a review of the spatiality in music experience based on the notions of space, place and territory. Our conclusions aim to relate, after two decades, Timothy Rice’s proposal on musical experience with other authors beyond musicology, who have addressed the relationship between experience, time and space. We have proposed to rethink the axes on which musical experience is articulated, highlighting the role of territory as a concept that encompasses ethnicities and historical uses of space in which music can unite part of that experience.