Within the framework of the so-called Chilean "social explosion" the article reviews a set of poetic expressions that, in the last four years, have poeticized the October revolt from a "quiltra" subjectivity (street dog), committed to the imagination in a way another to live. The corpus considered in this review focuses on a selection of poems, extracted from the texts: ((re)constituci & oacute;n po & eacute;tica, Rebeldia quiltra, El dado, Un oasis en el desierto and Ad Mapu Constituyente. All of which will be read from the critical perspective of a "desapropiada" literature that seeks to intervene in the common from the communal word of a self-convened and rebellious