Muestra métricas de impacto externas asociadas a la publicación. Para mayor detalle:
| Indexado |
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| DOI | 10.1080/00393630.2024.2336781 | ||||
| Año | 2024 | ||||
| Tipo | artículo de investigación |
Citas Totales
Autores Afiliación Chile
Instituciones Chile
% Participación
Internacional
Autores
Afiliación Extranjera
Instituciones
Extranjeras
The International Paper Conservation Seminar has now been held as four face-to-face events and four online events. It is a three-day international event delivered in Spanish and Portugese with keynote talks from national and international conservation professionals from Mexico to Chile presenting projects covering works on paper in diverse formats including documents, photographs historic books, and artworks. Countries such as Argentina, Chile, Bolivia, Peru, Ecuador, Mexico, Paraguay, Uruguay, Colombia, Brazil, Spain and Costa Rica have sent delegates to discuss both the social and cultural aspects of conservation work. The seminar is a completely free event for its attendees. It is intended to be suitable for all, with high-level talks addressing issues of management, preservation, conservation, restoration and disaster recovery among many others. From the third event onwards, training workshops for basic treatments have been developed, with the participation of recognized conservation professionals from universities and international institutes, allowing the number of attendees to remain constant since the Covid-19 pandemic. It creates networks and fosters collaboration for professional and institutional projects. The seminars have generated a connected and active community of paper conservators in the region, aware of our limitations, and capable of solving problems collaboratively and according to local resources.
| Ord. | Autor | Género | Institución - País |
|---|---|---|---|
| 1 | Quitral, Yerko Andres | - |
Universidad de Chile - Chile
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| Fuente |
|---|
| Fondart |
| National Fund for Cultural Development |
| Ministry of Arts, Culture and Status of Women |
| Agradecimiento |
|---|
| To develop these objectives, a seminar and workshop were proposed to share the outcomes from a conservation project for the First Chilean Prints, in the Central Archive of the University of Chile, funded by the National Fund for Cultural Development and the Arts (FONDART) by the Ministry of Culture, Arts, and Heritage in Chile. |