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| DOI | 10.24310/FOTOCINEMA.28.2024.17685 | ||||
| Año | 2024 | ||||
| Tipo | artículo de investigación |
Citas Totales
Autores Afiliación Chile
Instituciones Chile
% Participación
Internacional
Autores
Afiliación Extranjera
Instituciones
Extranjeras
Photography, as a medium, has long been recognized for its unparalleled ability to capture and convey stories, with Magnum Photos standing as a testament to the profound influence of visual narratives on shaping global perceptions and historical interpretations. This essay delves deeply into the historiographical intricacies of Magnum and the enduring legacy of Sergio Larrain. It underscores the delicate interplay between objective documentation and the inevitable subjective interpretation that often accompanies powerful imagery. Larrain's distinct humanistic approach, which prioritized the intricate subtleties of human experiences amidst broader socio-political landscapes, frequently found itself juxtaposed, if not overshadowed, by Magnum's commercial and editorial imperatives. Such reframing not only alters the essence of the captured moment but also raises critical questions about the ethics of photojournalism and the overarching responsibilities of influential photographic agencies. In today's digital age, where the rapid dissemination of images can lead to widespread reinterpretation, the imperative for a more ethically grounded and transparent approach to photojournalism becomes even more pronounced. Through this exploration, the essay underscores the transformative power of photographs, emphasizing the importance of preserving the sanctity of the original vision while also acknowledging and respecting the myriad interpretations that such images can evoke.
| Ord. | Autor | Género | Institución - País |
|---|---|---|---|
| 1 | Brandt, Jean Paul | - |
Universidad Técnica Federico Santa María - Chile
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