This article analyzes the enunciative resources used by two contemporary texts to represent trans people’s subjectivity: Dramas pobres (2016) by the poet Claudia Rodríguez and the film Naomi Campbel (2013), directed by Camila José Donoso and Nicolás Videla. In tropological terms, these texts symbolize gender transition as a migratory phenomenon, at the same time as they understand the body as a disputed territory, inhabited by images from cinema and television that colonize the gender performances their leading roles should reproduce to be recognized as women. Thus, both productions choose to decolonize trans femininity, advocating for its monstrosity in the case of Rodríguez and for its epistemological nomadism in Naomi Campbel.