This article analyzes Alma chilena (1912) by Carlos Pezoa Veliz and Hacia alla (1905) by Victor Domingo Silva, aiming to recognize the type of subjectivity they produce to criticize the political order towards 1900. I propose that these texts elaborate an anarcho-modernist subjectivity, given the reiteration of different ideologemes. On the one hand, the voices of both authors identify themselves with people from the mestizo lower class, whose lives are exploited by the oligarchy. At the same time, this makes them question the value of private property, proposing to recreate society from an egalitarian perspective. Thus, both poets share a similar emancipatory imagination, although they differ from one another, since Pezoa Veliz symbolizes anarchism as a humanitarian ethic, while Silva prefers a revolutionary approach by vindicating the epic attitude of popular insurrection.