This article analyzes the works of two Chilean trans artists Mara Rita Villarroel and Lorenza Bisttner, poet and visual artist, respectively. This article comparatively analyzes the thematic and aesthetic consonances of their proposals from a queer and creep perspective, illuminating the close link between artistic production and the dissenting voice of the artists. Such an experience relates what it is like to live outside the norm of generic sex roles defined by a hegemonic society, in which normativity is privileged over gender identity, understood as the subjective perception of each one regarding their gender.