Dataciencia

Colección SciELO Chile

A First Inventory of Plainchant Books up to 1900 in Santiago, Chile

Indexado

WoS

WOS:000779229600001

DOI

Año

2022

Tipo

artículo de investigación

Citas Totales

Autores Afiliación Chile

Instituciones Chile

% Participación
Internacional

Autores
Afiliación Extranjera

Instituciones
Extranjeras

Abstract

The exploration of musical sources in Chilean archives and libraries has recently increased. however, liturgical music, especially that preserved in plainchant books, has been barely catalogued. This article provides a first inventory of plainchant books up to 1900 in the three most important ecclesiastical institutions in Santiago de Chile: the Cathedral, the Major Pontifical Seminary, and the Recoleta Dominica convent church. The results not only offer a list of more than one hundred books-some of them unknown or unpublished-but also lead to a better understanding of several issues related to plainchant in Chile, such as the use of local plainchant in that country and the circulation of liturgical music books.

Revista

Revista	ISSN
Fontes Artis Musicae	0015-6191

Disciplinas de Investigación

WOS
Music

Scopus
Library And Information Sciences
Music

SciELO
Sin Disciplinas

Muestra la distribución de disciplinas para esta publicación.

Publicaciones WoS (Ediciones: ISSHP, ISTP, AHCI, SSCI, SCI), Scopus, SciELO Chile.

Colaboración Institucional

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Autores - Afiliación

Ord.	Autor	Género	Institución - País
1	Arroyo Fernandez, Diego	Hombre	UNIV COMPLUTENSE MADRID - España Univ Bristol - Reino Unido Harvard University - Estados Unidos UNIV SYDNEY - Australia Univ Sorbonne Paris IV - Francia Pontificia Universidad Católica de Chile - Chile

Muestra la afiliación y género (detectado) para los co-autores de la publicación.

Financiamiento

Fuente
CONICYT-Chile
Ministerio de Educación de España
Ministerio de Ciencia
Spanish Research Council.

Muestra la fuente de financiamiento declarada en la publicación.

Agradecimientos

Agradecimiento
David Andres Fernandez is a Lecturer at the Universidad Complutense de Madrid and an Honorary Research Associate at the University of Bristol. He has held fellowships and grants from the Ministerio de Ciencia, Ministerio de Educacion de Espana and CONICYT-Chile. His research interests include medieval and early modern Spanish processional plainchant and liturgical music in the Spanish New World, especially in Chile and Lima, Peru. He has been a visiting researcher at Harvard University, the University of Sydney, Universite Sorbonne -Paris IV, Atelier de Paleographie Musicale de Solesmes, and the Pontificia Universidad Catolica de Chile. He earned his master's degree in musicology at the Universidad de Salamanca and his Ph.D. in history from the Universidad de Zaragoza. He has published in both English and Spanish, and has also participated in conferences in Europe, Latin America, Australia, and the U.S. He is the author of Mapping Processions: Four Sixteenth-century Music Manuscripts in Sydney. Edited with a foreword by Jane M. Hardie (Kitchner, ON, Canada: The Institute of Medieval Music, 2018), and is principal investigator for the research project Corpus Processionalium Hispanarum, funded by the Spanish Research Council. The author thanks Dr Jane M. Hardie for reviewing his English.

Agradecimiento

David Andres Fernandez is a Lecturer at the Universidad Complutense de Madrid and an Honorary Research Associate at the University of Bristol. He has held fellowships and grants from the Ministerio de Ciencia, Ministerio de Educacion de Espana and CONICYT-Chile. His research interests include medieval and early modern Spanish processional plainchant and liturgical music in the Spanish New World, especially in Chile and Lima, Peru. He has been a visiting researcher at Harvard University, the University of Sydney, Universite Sorbonne -Paris IV, Atelier de Paleographie Musicale de Solesmes, and the Pontificia Universidad Catolica de Chile. He earned his master's degree in musicology at the Universidad de Salamanca and his Ph.D. in history from the Universidad de Zaragoza. He has published in both English and Spanish, and has also participated in conferences in Europe, Latin America, Australia, and the U.S. He is the author of Mapping Processions: Four Sixteenth-century Music Manuscripts in Sydney. Edited with a foreword by Jane M. Hardie (Kitchner, ON, Canada: The Institute of Medieval Music, 2018), and is principal investigator for the research project Corpus Processionalium Hispanarum, funded by the Spanish Research Council. The author thanks Dr Jane M. Hardie for reviewing his English.