This article pretends to place to Tribu No as the first neovanguardian chilean group, connecting it with latinoamerican contemporary groups like Nadaistas, Tzantzicos and Hora Zero. At the same time, in the national context and later dictatorship, it proposes its influence to Colectivo Aciones de Arte (CADA), because they share the complaint and used some soports (milk, urban space, photographs, etc.) and historical, identity and aestehtics search.