The repercussions and paradoxes of the German Colonization in Southern Chile during the XIXth Century, and their following projections in the XXth Century, has been recently considered by Chilean poets with German ancestry such as Gloria Dunkler (Fuchse von Llafenko, Spandau) and Clemente Riedemann (Karra Maw'n), as well as by Mapuche poets such as Jaime Huenun (Reducciones). Within these collections of poems, the actions of the first settlers (European Migrants) are exposed and represented along with their foundational discourse, and their disturbed relationship with the displaced native populations. It is thus proposed an examination of the German immigration from the idea-image of the natural forest, which allows the affective connection of the settler with his country of origin under the spectrum of a nationalistic and romantic imaginary (Barbian), and the meaning of the forest as a symbol, following Canetti's (Crowds and Power) concept of closed crowd, and as an army - a collective body - which ravages the native bodies, alters the natural landscape, and establishes discourses of exceptionality.