This article critically reflects interrupted around the character that has experienced feminism as a social movement in Chile during the twentieth century. Inheriting outstanding tasks on class, race and gender that shaped the problems of Latin American women, which will be addressed from the early '70s for artistic practices of Visual Arts and Performance. For it identifies and analyzes certain artistic operations that use the body as support and means of expression emanating from the marginal areas of creation. Concluding that in Chile, bursts whose subjects and politicians subvert through visual arts and performance identities of class, race and gender predominant one post-feminism.