The aim of this paper is to carry out a general analysis of some objects that appear in the novels of Tomas Gonzalez. Specifically, this work focuses on the way that the objects operate and are formed in relation to subjectivities and specific practices. In this sense, this analysis interacts with several interdisciplinary approaches about the objects, such as the ones developed by A. Moles, G. Dorfles, M. Perrot and W. Benjamin, among others. Thus, this analysis demonstrates Gonzalez's intention of expanding the objects categorial regime beyond the functionality domain and accumulation toward a regime of visibility constituted sensitively and affectively.