Structured in three parts, this interview proposes a tour of various topics about one of the most original instrumental groups that emerged in the last two decades in Latin America: the Consort Guitarristico de Chile (CGCL). Starting from the genesis of this consort, aspects such as the pedagogy of the guitar, the aesthetic identity of the group, the manufacture of instruments employed are addressed. The second part deals with the modalities of national and international dissemination of the CGCL, the work of recording in the studio, as well as the state of the Chilean editorial field. A dialogue on the continuity of guitar work in the unstable current context of social, political and health crisis, concludes the interview.