Strongly inspired by the mysterious exercise of recording, protecting, and revealing the images in Luis Poirot’s photographic archive, this article experiments with a mode of ethnographic writing that, rather than trying to convince the reader about the correctness of its conceptual propositions, it simply suggests certain secrets of light. These are images appearing in multiple temporalities as vivid evidence of the presence of absences. Attempting to avoid the sterilization of ‘lived experience’ and its multiple temporalities, often produced by the anthropological discipline itself, this article imagines an exposed anthropology. Rather than being interested in the creation and analysis of concepts, this exposed anthropology focuses on opening up suggestive spaces of coexistence with the presence of absence. Thus, it offers singular evidence of the encounter of worlds occurring beyond concepts. In particular, this work gives an account of how Poirot’s photographic archive, and the present absences that inhabit his images affect, resonate and even incorporate the ethnographic writing itself within the same living archive.