This article states that in the poems El jardin (1992) of the argentine poet Diana Bellessi, a plant rhetoric is elaborated through the poetic strategies of the vegetable becoming (Deleuze and Guattari) of the poetic voice and of the metapoems that standardize the act of write with the pose or garden. Through these strategies, the poet configures an ecological nomadic subjectivity (Braidotti) that not only denounces the sex-generic violence that is registered on women, but also postulates an ecopolitic (Shiva) that advocates coexistence and respect for biodiversity.