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| DOI | 10.1017/S1355771820000102 | ||||
| Año | 2020 | ||||
| Tipo | artículo de investigación |
Citas Totales
Autores Afiliación Chile
Instituciones Chile
% Participación
Internacional
Autores
Afiliación Extranjera
Instituciones
Extranjeras
This article describes an innovative compositional method based on the use of a sonic time-lapse algorithm to create soundscape audio montages. The method is based on the superposition of short audio samples of 24-hour continuous field recordings carried out in various kinds of wildlife sonic environments. The optimisation of the algorithm focused on the enhancement of gradual crossfade transitions between recorded samples and the use of variable sample durations as a way of recreating a natural sense of evolution of sonic events in time. Future developments of the project will integrate virtual reality interfaces and environmental education projects as part of the time-lapse algorithm machine-learning techniques and also creative tools suitable for multimedia installations.
| Ord. | Autor | Género | Institución - País |
|---|---|---|---|
| 1 | Otondo, Felipe | Hombre |
Universidad Austral de Chile - Chile
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| 2 | POBLETE-RAMIREZ, VICTOR HERNAN | Hombre |
Universidad Austral de Chile - Chile
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| Fuente |
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| Chilean National Commission for Scientific and Technological Research |
| Fondo Nacional de Desarrollo CientÃfico y Tecnológico |
| Agradecimiento |
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| The research that led to this article was funded by the Chilean National Commission for Scientific and Technological Research under grant FONDECYT 1190722. The authors would like to thank Diego Espejo, Rodrigo Torres, Pablo Huijse, Victor Vargas, Juan Pablo Ayala, Isaac Gonzalez, Luis Alvarado, Andre Mestre and Chris Watson for their help to carry out the research activities presented here. |
| The research that led to this article was funded by the Chilean National Commission for Scientific and Technological Research under grant FONDECYT 1190722. The authors would like to thank Diego Espejo, Rodrigo Torres, Pablo Huijse, Victor Vargas, Juan Pablo Ayala, Isaac González, Luis Alvarado, André Mestre and Chris Watson for their help to carry out the research activities presented here. |