This paper presents some initial elements of an investigation in progress. It argues that the creation of the Chilean poets Winétt de Rokha, Olga Acevedo, María Monvel y Chela Reyes, although recognizing their genealogy in the landmark foundation pre and post Darian, and despite being produced and published a comprehensive and forceful poetic corpus, which passes from modernism to the historical avant-garde, still remains in an almost total ignorance. One of the materials to investigate in this reflection, therefore, is the identify those factors which have contributed to this invisibility.