This text shows a study of the flumes adaptation of the Colombian novel Del amor y otros demonios made in 2010 by the Costa Rican director Hilda Hildalgo. It is based in some filme theories and gives special attention to specific aspects of the filme and literary languages placed on the stage of adaptation, such as narrative, space, time, level and sequences, aspects that help to understand the dimension of both languages in their aesthetic propose, and the way they are interwoven to capture the theme that recreates a historical moment so important in Colombia.